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Heroes and Goobers

While I am skeptical of William Faulkner’s As I Lay Dying as a hero’s journey, some of the Bundrens can still be characterized as heroes, while others fail to live up to heroic standards. Seeing and hearing about each individual character from multiple perspectives gives the reader a lot to take into account when considering the morals of each character. But not every outsider’s opinion is valid, just as not every Bundren’s opinion is justified. Some characters though are objectively bad. Anse and Jewel are some of the worst and most selfish in the Bundren family. Anse is proven to be selfish multiple times and rarely shows concern for his children. He moves on quickly from Addie’s death and becomes fixated on buying teeth. He expresses that he dislikes his children many times and does not care for his children very well. Anse is characterized as lazy by all his neighbors and almost no one views him in a positive light. Even strangers often see him as stupid and criticize his actions.
Recent posts

Helga's Never-Ending Cycle

Murdock’s diagram of the heroine’s journey starts with three steps: identification with the masculine and gathering of allies, the road of trials, and finding the boon of success. Much like how we saw Siddhartha repeat a certain cycle and be reborn multiple times, Helga also seems to go through these three steps in the heroine’s journey multiple times. Her starting a new cycle is often represented as her moving to a different city. So far we have seen Helga repeat these three steps three times, when she moves to Chicago, then New York, and Denmark. Although Helga repeats these three steps, she is still progressing in her journey and can be seen moving forward with other steps while simultaneously repeating the first three. The first step in the heroine’s journey is identification with the masculine and the gathering of allies. When Helga moves to a new place, she is always very excited. Although in this story I believe identification with the masculine is not always present. Instead, H

The Herione's Journey in Do Revenge

     Do Revenge is a Netflix movie that came out last year. Initially, I wasn’t sure if this movie would fit into the heroine’s journey, but I realized it is a perfect representation of Victoria Lynn Schmidt’s diagram. In this post, I will only talk about the first four steps of Schmidt’s diagram so I won’t spoil the whole movie. I do think if you watch the whole movie you would understand my initial confusion when trying to compare it to the heroine’s journey because, by the end of the movie, the main character doesn’t seem to change very much. She also doesn’t battle with her femininity in the same way that Elle in Legally Blonde did. But the first four steps of the heroine’s journey seem to fit very well with Do Revenge , and even though she doesn’t face all of the problems outlined in Schmidt’s diagram, she does generally go through the steps and has her own sort of personal development even if it isn’t directly related to her relationship with her gender.  The first step in Schmi

Siddhartha's Supernatural Aid

       In class, we shortly discussed who Siddhartha’s supernatural aid was. Govinda could have been his supernatural aid as he encouraged him to go on his journey of finding enlightenment. Siddhartha himself could have been his own supernatural aid. He was constantly rejecting the idea of being a student and receiving help from anyone, so it would make sense that he would have no supernatural aid than himself. I think that Gotama was Siddhartha’s supernatural aid because it was not until he met him that he figured out his plan for enlightenment. Siddhartha had left his home with the goal to become a Samana. After spending time learning and mastering their ways, he still felt unfulfilled and sought out Gotama in hopes of discovering the secret to enlightenment. It was not until his conversation with Gotama that he realized the only way to his own enlightenment was to go on his own journey, just as Gotama did. Supernatural aid in the hero’s journey has two substeps. First, the hero